When Madame X was shown at the Salon of 1884 it became instantly a salacious painting and a scandal in French society as a result of its sexual suggestiveness of her pose and the pail pasty color of her skin.
Virginie Avegno (1859–1915) was born in Louisiana, the daughter of Major Anatole Avegno of New Orleans, a gentleman whose family had emigrated from Camogli, Italy, and Marie Virginie de Ternant of Parlange Plantation, Louisiana. After Major Avegno died of wounds suffered at the Battle of Shiloh, Mrs. Avegno took her daughters to Paris. There Virginie became a celebrated beauty and married Pierre Gautreau, a Parisian banker. Sargent probably met her in 1881. In 1882, he wrote of wanting to paint her portrait. He worked on the portrait at the Gautreau's summer home in Brittany in 1883, but he had difficulty finding a suitable pose and perspective. Numerous studies show his different attempts at the composition. The portrait as finally executed was exhibited at the Paris Salon of 1884 as "Portrait de Mme ***" and created a scandal. Sargent considered it one of his best works; an unfinished second version of the same pose is in the Tate Gallery in London.
Think 'Girl With A Pearl Earring'. There has to be a piece of fiction here somewhere, just waiting to be done.
Synopses & Reviews
The story behind the legendary John Singer Sargent painting that propelled the artist to international renown but condemned his subject to a life of public ridicule.
John Singer Sargent's Madame X is one of the world's best-known portraits. As the Metropolitan's most frequently requested painting for loans, it travels to museums around the globe. The image of "Madame X" decorates book and magazine covers, greeting cards and screen savers. She's even been immortalized as a Madame Alexander doll.
Few people, though, know the fascinating story behind the painting. "Madame X" was actually a twenty-three-year-old New Orleans Creole, Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. All the leading artists wanted to paint her, but it was Sargent, a relative nobody, who won the commission. Gautreau and Sargent must have recognized in each other a like-minded hunger for fame.
Unveiled at the 1884 Paris Salon, Gautreau's portrait did generate the attention she craved — but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting, to outraged Parisian viewers, either the prelude or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home so she would never have to look at herself again.
Why had Sargent chosen to portray her in such a provocative manner? Was the painting, with the scandal it generated, the machination of a sexually conflicted man who desired a woman and a lifestyle he could never possess? Drawing on documents from private collections and other previously unexamined materials and featuring a cast of characters including Oscar Wilde and Richard Wagner, Strapless is an enthralling tale of art and celebrity, obsession and betrayal.
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